“Tell me how this ends.”
–David Petraeus, March 2003
How does it end?
The dictator dies, shrivelled and
demented, in his bed;
he flees the rebels in a private
plane;
he is caught hiding in a mountain
outpost,
a drainage pipe,
a spider hole.
He is tried. He is not tried.
He is dragged, bloody and dazed,
through the streets,
then executed.
The humbling comes in myriad forms,
but what is revealed is always the same:
the technologies of paranoia,
the stories of slaughter and fear,
the vaults,
the national economies employed as
personal property,
the crazy pets, the prostitutes, the
golden fixtures.
Instinctively, when dictators are
toppled, we invade their castles
and expose their vanities and
luxuries—
Imelda’s shoes,
the Shah’s jewels.
We loot and desecrate, in order to
cut them finally, futilely, down to size.
After the fall of Baghdad, I visited
the gaudiest of Saddam’s palaces,
examined his tasteless art,
his Cuban cigars,
his private lakes with their
specially bred giant fish,
his self-worshipping bronze effigies.
I saw thirty years’ worth of bodies
in secret graves,
along with those of Iraqis
bound and shot just hours before
liberation.
In Afghanistan, Mullah Omar,
a despot of simpler tastes,
left behind little but plastic
flowers,
a few Land Cruisers with CDs of
Islamic music,
and an unkempt garden where he had
spent hours
petting his favorite cow.
--Jon Lee Anderson November 7, 2011 New Yorker
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